Exhibitions - Temporary exhibitions

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Sound Art?

The Sound Art? exhibition offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art object from the late nineteenth century until today.

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Different Trains

In 1988, the NorthAmerican Steve Reich, one of the leading figures of minimalism, composed a piece about the Jewish Holocaust. Almost thirty years later, this video work by Beatriz Caravaggio confers visual life on the score interpreted by the Kronos Quartet.

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Miró-Gaudí-Gomis

Miró always expressed his admiration for Gaudí’s work, valuing the architect’s penchant for risk and improvisation. The two artists viewed nature as the root of all their creative endeavours.

The exhibition features the Gaudí Series prints, which Miró produced as a tribute to the architect in 1979, and a selection of Miró’s sculptures which establish a dialogue with Joaquim Gomis’ photographs of Gaudí’s architecture.

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Lina Bo Bardi Drawing

This exhibition is about the profound sense of connection that architect Lina Bo Bardi (1914-1992) had with drawing. More than the tool of a designer, to her, drawing was a primary expressive means driven by a strong sense of curiosity and doubt. She never claimed drawing to be an independent artistic language, but she embraced it with artistic purpose. Drawing to her was both a noun and a verb, outcome and process, object and relationship.

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<p>Lee Miller and Surrealism in Britain</p>

Lee Miller and Surrealism in Britain

The exhibition Lee Miller and Surrealism in Britain provides an insight into one of the most important poles of the Surrealist movement’s complex international network. The North American photographer Lee Miller and her partner, the British artist Roland Penrose, acted as ambassadors of the Surrealist cause in London. They were also close friends with Joan Miró, who remained in permanent contact with the Surrealist scene in Britain, culminating with his monographic exhibition at the Tate Gallery in 1964.

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Kader Attia. Scars remind us that our past is real

The exhibition featuring French-Algerian artist Kader Attia, the winner of the latest edition of the Joan Miró Prize, is a survey of his most relevant works from the last few years, in a dialogue with new ones created for the exhibition. Selected especially by the artist, these pieces revolve around the notion of repair, one of his main areas of interest.

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Beehave

Beehave is an exhibition project that reflects contemporary artists’ growing interest in the survival crisis affecting honey bees and many other insect pollinators.

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