Around 100 paintings and drawings by Paul Klee, Yves Tanguy and Joan Miró from the Gallery K. AG collection in Switzerland. A simultaneous look at the work of three of the most significant artists of the twentieth century through such a classic genre as landscape.
Exhibition of new figurative art, curated by Enrique Juncosa and containing pieces by Gerhard Richter, Vija Celmins, Alex Katz, Malcolm Morley, Francis Alÿs, Stephan Balkenhol, Thomas Schütte, Marlene Dumas, Susy Gómez, Perejaume, Marina Núñez, Antony Gormley, Guillermo Kuitca, Kiki Smith and Mark Tansey – artists who all use figuration to speak of identity, sexuality, reality or even art itself.
Si seguim, segur que riurem (If we go on, we’ll surely laugh) is a collection of photographs of Tortell Poltrona, the Catalan clown who founded the NGO Clowns Without Borders.
Coinciding with the 1999 Spring Design Show in Barcelona, this exhibition curated by Oriol Pibernat and Pedro Azara showed the work of André Ricard, a pioneer in the theory and practice of industrial design in Catalonia.
An exhibition of over 100 works by the Scottish visual artist, poet and philosopher, many of them designed and produced exclusively for the Fundació Joan Miró’s exhibition spaces.
Selected by Christopher Phillips, this exhibition comprised works by Vito Acconci, Judith Barry, Geneviève Cadieux, Jochen Gerz, Gary Hill, Pierre Huyghe, Kristin Oppeosch.
Selected by Alain Sayag, this exhibition comprised around 100 photographs from the Centre Georges Pompidou in Paris, with the aim of reflecting the fictitious or equivocal discourse inherent in every photographic image, whether it be artistic, documentary or for advertising.
The first showing in Spain of a selection of works from the Fondation Cartier in Paris, comprising paintings, sculptures, photographs and installations produced between 1964 and 1997 by 23 contemporary artists.
about "ALBUM. A selection from the Fondation Cartier pour l'Art Contemporain"
Joan Miró Punyet was the curator of this exhibition to commemorate the centenary of the birth of Alexander Calder (Philadelphia, 1898), a close friend of Miró’s.
These 40 pieces from a Japanese collection reflect Miró’s contacts with oriental art and its influence on his output at the time, as well as the interest that Japan has always shown in his work.
