Some American Catalans and the Other Way Around
Photography exhibition about the artist and performer Joan Casellas.
Photography exhibition about the artist and performer Joan Casellas.
This exhibition of photographs by Joaquim Gomis brings together a selection of the extensive account that this close friend of Joan Miró and Joan Prats gave of the hat shop that the Prats family owned in Rambla de Catalunya.
Photography exhibition at the Foyer of the museum relating to Weiyan Low pictures.
A selection of photographies remembering the visit of American artist Alexander Calder at Mont-roig del Camp.
Photography exhibition by the artist Oriol Enguany.
Picasso Series is a selection of photographs by Joaquim Gomis taken in 1968 that document a walk around the streets of the Picasso’s Barcelona.
Exhibition of portrait photographs of residents of the city of Rotterdam taken by Shehera Grot.
Exhibition of photographs taken by Joaquim Gomis in various spots around the city of Barcelona and in Sitges and El Masnou between the 1940s and early 1960s.
about "Illusions and Illusionism. Photographs by Joaquim Gomis"
Bimbo is an exhibition of photographs in the lobby of the Fundació Miró, which accompanies the temporary exhibition Paul Klee and the Secrets of Nature. It takes the passion for cats shared by the dancer and photographer Nora Baylach and Paul Klee as the starting point.
Long days, short nights features photographs that Joaquim Gomis took during the summers he and his family spent in Sitges and Ibiza.
This exhibition presents a selection of photograph deposited by Enric Tormo Freixes in the archive of the Fundació Joan Miró. They are all photographs taken in the 1940s and 1950s, portraying Miró in his family and professional contexts, whether in Barcelona, in Mont-Roig or in working trips to Paris.
Between 2006 and 2009, the years leading up to the global financial crisis, Juande Jarillo (Granada, 1969) spent his free time seeking out moments of people gathering together or crossing paths in Barcelona. Jarillo set up his camera in different locations in the city centre, sometimes riding the tourist bus, and waiting for the precise moment when a conjunction of forms, an interplay of gazes and reflections, or a composition of figures or of urban artefacts would unfold. His aim was to capture the almost invisible textures, light and vectors that cross the urban landscape at a given moment.