Art in Central Europe. 1949-1999" aims to offer a rational, historical overview of the various styles in employed from the end of the Second World War down to the present day by "unofficial" artists in Central Europe, i.
Art in Central Europe (1949-1999) Europe is currently undergoing profound social, political and economic changes. At stake is the creation of the foundations for a new, united Europe.
Espai 13 1999–2000 series, Un oasi en el desert blau (An Oasis in the Blue Desert) The Fundació Joan Miró, as part of the Un oasi en el desert blau (An Oasis in the Blue Desert) series developed by Espai 13 during the 1999-2000 season, invites all artists to take part in the open call for entries running from 15 June to 9 July 2000.
“I have a white tequila and begin to get dressed. The process of socialisation is long, deep and always intensely intimate. I iron the shirt – thank God, there’s still a clean one — I enjoy the narcissistic act and imagine seeing myself look at an art proposal once again.
Radiographic Traces 280 Days, 280 Movements The work Tapando para ver (Covering Up to See) by Chemi Rosado Seijo resembles a large game of chess, where each move is a piece that uncovers what was previously hidden.
Sigmar Polke. Die Alten. Selected by Gloria Moure, the 50 or so pieces produced by this German artist between 1982 and 1997 are all based in some way or another on the work of Francisco Goya and in particular on his well-known painting Time and the Old Women (1812).
Born in Puerto Rico in 1974, Ignacio Lang lived in California for many years but has been back on the island for the past six months. Like other artists in this series, his life and work move between two very different worlds: the metropolis and Puerto Rico.
My exhibition, Cambio de domicilio (Change of Address), consists of four independent installations that critically explore Puerto Rican identity in the context of mobility, crossing, fragmentation, estrangement and discontinuity.
Around 100 paintings and drawings by Paul Klee, Yves Tanguy and Joan Miró from the Gallery K. AG collection in Switzerland. A simultaneous look at the work of three of the most significant artists of the twentieth century through such a classic genre as landscape.
1999-2000 SeasonCurator: Michy [email protected] Oasis in the Blue Desert is a metaphor for the reality of Puerto Rico as seen from the country itself by six of its young artists, who have been invited to reflect on the subject of transit and cultural exchange.
Exhibition of new figurative art, curated by Enrique Juncosa and containing pieces by Gerhard Richter, Vija Celmins, Alex Katz, Malcolm Morley, Francis Alÿs, Stephan Balkenhol, Thomas Schütte, Marlene Dumas, Susy Gómez, Perejaume, Marina Núñez, Antony Gormley, Guillermo Kuitca, Kiki Smith and Mark Tansey – artists who all use figuration to speak of identity, sexuality, reality or even art itself.
Si seguim, segur que riurem (If we go on, we’ll surely laugh) is a collection of photographs of Tortell Poltrona, the Catalan clown who founded the NGO Clowns Without Borders.
