Blog Fundació Joan Miró

30_04_2019

Pedro Strukelj

Illustrated Chronicle of the Tapestry of the Fundació

Pedro Strukelj, an Argentine-Mexican living in Barcelona, is an illustrator, architect, and cultural manager. He defines himself as a chronicler of cultural experiences. This illustrated chronicle is his account as a witness to the recently completed process of preventive conservation for the Tapestry of the Fundació. His palette is a colour map that suggests a faraway land –that of his Latin American roots, which, as in Miró, connect us with a world where the tradition of craftsmanship is deeply respected.

04_04_2019

Olga Subirós

Rock, Paper, Circus

Lina Bo Bardi Drawing is an exhibition about the architect’s deep sense of connection with drawing. For her, drawing was more than a designer’s tool; it was a primary expressive means driven by a strong sense of curiosity and doubt. In the following article, the architect and exhibition curator Olga Subirós shares some of her memories to offer us a closer look at Lina Bo Bardi’s work.

26_02_2019

Alumnes de fotografia EASD Serra i Abella

Contemporaries

Contemporaries is the name of a photographic project coordinated by artist Serafín Álvarez, tied in with the exhibition Lee Miller and Surrealism in Britain. The title highlighted the participants’ contemporary coincidence and they also shared a creative affinity: one group was made up of photographic students from Serra i Abella School of Art & Design in Hospitalet, who took the photos, and the others were visual artists who have studied for an M.A. in art production and research at Barcelona Faculty of Fine Art, in this case portrayed in the photos. The photos were exhibited at the Fundació Joan Miró between January 8^th and 20^th 2019. The photographs are reproduced below in the same order in which they were presented. The comments underneath are by the photographers.

17_01_2019

Hèlia Dones

Only Yes Means Yes. Gazes by Resilient Women

Until 20 January, and coinciding with the Lee Miller and Surrealism in Britain show, the Hèlia Dones women’s collective is offering Signs of Identity, an exhibition of self-portraits. The project came out of a long process of introspection and learning; the result is both therapeutic and liberating.

19_12_2018

Susana Carnicero

Ceci est la couleur de mes rêves

Susana Carnicero graduated in Fine Arts and holds a post-graduate degree in Miró studies. Her fascination with colour as matter is the point of departure for a personal, subjective description in which a blue spot against a white background leads her on an exploration of the symbolism of this colour through a variety of artists.

29_11_2018

Leila Méndez

The Future was Female

Fascinated by both her character and her work, Leila Méndez, a self-taught photographer living in Barcelona, provides us with a multiple portrait of the different facets of Lee Miller. In just a few shots, Méndez captures the essence of the surrealist artist and of other photographers who, like Miller, experienced the vulnerability and the power that you feel in front of a camera, posing as a professional model.

10_10_2018

Anna Noëlle

Anonymity

Museums and art centres are taking on an increasingly active role in listening to their visitors’ opinions. Learning how to analyse their users’ comments allows them to gain a better knowledge of their public and to measure the impact of the contents the museum offers.

This post is only a poetic reflection, a counterpoint to the cold analysis of the data and the indicators that were collected in the Fundació’s spaces throughout the summer of 2018.

19_09_2018

Dolors Bramon

Scars and Reparations

In this article, Dolors Bramon, a historian with a PhD in Semitic languages, takes a historical look at the conflict between different cultures in Spain inaccurately referred to as convivencia. The author questions the honesty of the meaning of multiculturalism and underscores the need for repairing historical injustices. As in Kader Attia’s work, for Dolors Bramon scars are cries against oblivion.